If you don’t know anything about Argentine Tango apart of the tons of cliches which many of us have in their minds, you actually might ask yourself “What the heck is that man speaking about?” Just give me a minute and I will explain.

Perhaps you know Tango just from movies where obscure figures on dim lighted dance floors do bizarre movements, chewing lorry loads of roses. Maybe you made up your judgment about Tango having seen dancehall dance competitions, frozen grins, stiff moves, heads twisting unnaturally with every movement… Might be you went to a Tango Show, impressive, technically brilliant sensual and perhaps most electrifying.

Yet, what has all this to do with social competence? To reply to this questions we should return to the origins of Tango. Tango started in Buenos Aires and Montevideo at the end of the 19th century. Immigrants from all around the planet came to the Rio della Plata hoping for a better live.

At the same time local Argentineans from the country came to Buenos Aires and Montevideo also. They’d got made redundant on the big haciendas, the kingdom size cattle farms, and were attempting to find work in the big city. As both groups competed for jobs, housing and often mere survival tensions were inevitable. On the other hand the clash of the cultures was the cradle of one of the most successful music styles and dances, the Tango.

Tango in its beginning was ( and still is ) a social dance, at that time danced principally by the ordinary people, craftsmen, workers, small merchants… Tango was danced rather differently in the different quarters but to dance together all the dancers had to agree upon one common code. One vital part of this code, which is still valid among real good Tango dancers, was the respect for each other.

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